CMT: Listen to the piano part in Scriabin’s ‘Romance for Horn and Piano’. Isn’t that a pleroma chord, an arpeggiated pleroma chord? [‘Pleroma’—a Gnostic term derived from the Greek word for ‘plenitude’, all-encompassing, located outside the physical universe, not ‘of this world’.]
DSM: That word’s too fancy for its own good. A curious thing about the piano part, though, is how ‘sculptural’ or ‘landscape-like’ it is. The lyrical arcs are delicate, like boughs of a tree bending in a breeze. . . . And the horn part is pondering and re-pondering his situation. Wishing, desiring; then and now. But not just declarative statements—reconsidering, regretful, remorseful, and maybe even recanting as well?
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